I didn’t plan on being a beekeeper. It all started one afternoon when I was taking a walk around the block, and came upon a scene of chaos and frenzy. Some neighbors were having work done while they were out of town, and workmen had been taking down a big tree. One of the guys had been high on a ladder when his chainsaw bit directly into a honeycomb. People harbor differing sentiments toward bees. The guy on the ladder began scooping handfuls of honey, laughing and telling his buddies how good it was, unfazed by the stings. His boss, on the ground, was gripped by a terror approaching apoplexy. By the time I got there the workmen had laid the trunk on the ground and were trying to drive the bees away from the tree by several methods; most recently, they had set it on fire.
When evangelicals hear that there’s a new movie about their brand of Christianity, they get nervous. All too often they are presented as idiots or villains. Stereotypes about narrow-mindedness, intolerance, cultish mind-control, and harsh subjugation of women abound. Carolyn Briggs’ 2002 memoir, This Dark World: A Memoir of Salvation Found and Lost hit a number of those notes. When their church leaders counsel her not to get a college degree, when they counsel her husband to forgo a plum job opportunity because they need instead the headship of the church leaders, when she refused medication during a complicated pregnancy and scoffed at taking shelter during a tornado, well, it sounds to many evangelicals like a pretty kooky church, if not a cult. But don’t expect members of the general public to make that distinction. Christianity Today’s review commented, “Unfortunately, this book is likely to win plaudits for its savaging of evangelical Christianity as the source of one woman’s oppression, and her abandonment of that faith as a fount of liberation.”
In December, 2009, I made “Twirly Dresses” for my four granddaughters.