In 1872, Dostoevsky published his novel, The Demons [Бесы]. It demonstrated in a microcosm, the insanity that lay within the revolutionary movements of 19th century Russia. That insanity broke upon the world in 1917 and has remained present with us, in one form or another, ever since. The madness that he describes takes place in a small town, away from the great capitals of Russia. It involves a relatively small cast of characters (at least for a Russian novel and revolution). There is love and intrigue. But mostly there is murder and mayhem. For the only revolutionary who succeeds is the one who fears nothing himself but creates and feeds on the fear of others.
It is interesting that great theories of economics and social justice do not form a part of this novel. Dostoevsky was no stranger to Russia’s radical movements and their political and economic theories: he spent a number of years in prison under the Tsar for having participated in one such group. But he does not make the theory out to be of much importance. He rightly recognized that the spirit of revolution is not about a struggle for a glorious future. Revolution is about the destruction of the present and the will to power. Hitler’s rise to power and Lenin’s rise to power both belong to differing ideologies. What they share in common are lies and murder.
Dostoevsky’s revolutionary sees the world as teetering on chaos. The old order is a road block, an encumbrance that stands in the way of progress and the forces of renewal. Every convention, every custom and practice of tradition is the enemy. The revolutionary has to be prepared to sweep everything aside for the sake of his cause. In Dostoevsky’s Russia, the Church was a primary conserving force. Its Orthodox practice was a shrine to Tradition and custom. Every aspect of life moved in obedience to the seasons of the Church. It is thus not surprising that the Church, God and the Christian view of the world were the primary targets of his drama.
But the title of Dostoevsky’s novel is even more to the point. Though he does not say so, the actors in the small “revolution” in the provinces, are only pawns. There is a larger game afoot, and that game is revealed in the title of the novel. The work of the demons is not an ancient conspiracy, a carefully-planned work that ultimately results in the enthronement of the anti-Christ. Demons do not seem to be driven towards the construction of great empires – that activity is particularly human.
The work of the demons (both in the novel and in the real world) is the work of destruction. Existence is the gift of God. All that we know as existing is His gift. Its order, laws, even “reasonableness,” are all reflective of God’s creative work. Non-existence, non-being is the drive of the wicked ones. Non-existence is not something that can be achieved by created beings, for existence is the gift of God and He alone sustains all things. Thus, the work of those in rebellion is to move things “towards” non-being. Lies, murder, destruction, disarray, deception, and the like are hallmarks of their work.
The demons are not the builders of civilizations, even civilizations that seem to have evil purposes. They corrupt and distort. The farcical “opera” that was the Nazi regime was a demonic attempt at civilization, a mimicry of the true thing. It’s delusional aspects seems so obvious now that people can only wonder how anyone ever took seriously its grand productions and Wagnerian pretensions (the delusions of our own time should be considered as well). The destructive character of that regime began to manifest itself quite early. In almost every effort, its constructions were distortions, an anti-civilization.
Where do the demons lurk in our own time? Look to the places of chaos and destruction, where order is slipping away and violence triumphs. Take note of despair and mayhem, any place where the drive towards non-existence has taken hold. Occasionally these forces manifest themselves in larger eruptions. The bizarre extremism within radical Islam has all of the hallmarks of the demonic. It is a form of madness, of chaos unleashed.
The Orthodox resistance to iconoclasm recognizes the true nature of this urge to destruction. For the discussion about icons has never been limited to quiet theological thoughts about the nature of images. Iconoclasm is not a theological position, it is what its Greek name says, “Smashing.” The smashers in the modern world have multiplied. The revolution of 1917 initially swelled their ranks. Films of icon burnings and Church explosions were only the most visible expressions. The smashing of human beings, images of God, were among the most brutal in all of history.
We see as well the sad cases of individual iconoclasm. The mass murders in schools, theaters, shopping malls (which sometimes seem to occur on a weekly basis) represent the demonic collapse within a single person. The wanton destruction of strangers, murder for the sake of murder, reveals a frightening drive towards non-existence. Of course such events involve mental illness and other social problems, all of which are exploited by the demons of our time.
But more to the point for readers of this article is the unraveling of existence within our own lives and souls. Solzhenitsyn famously said:
…the line separating good and evil passes not through states, nor between classes, nor between political parties either, but right through every human heart, and through all human